TrapTeamBeats

Here we have the 16th studio LP from Denver, Colorado emcee &  Lyrikal Snuff Productionz founder  Scum . Starting as a member of an experimental grind/noise band called Down Syndrome about 29 years ago, his solo debut  Enter the Asylum  just turned 20 this past winter & has outdone himself plenty of times since. Case in point:  The Gorefather ,  Out with the Old  & recently his 3rd EP  Bad Uncle  fully produced by  Chapter 17 / Psychopathic Records  in-house producer Devereaux . I also found myself enjoying the previously mentioned  Dyin’ World Chroniclez  trilogy of course too & paying off some  IOUz  almost 9 months since  Anti-Human . The title track featuring  Smallz One  starts with this grisly trap intro paying up & making a deal with the devil whereas “Not Us” apocalyptically talks about representing the outcasts of the outcasts. “On My Behalf” brings back the tra...

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21 Lil Harold and Rob49 make aggressive, steady, hip hop. They discuss gritty topics and they do so with an ominous, menacing flow. They compliment each other very well, and “Word on the Street” is a perfect testament to that. 21 Lil Harold’s new single rides a simple yet hypnotic drum pattern. The rappers drop the sort of flexes you would expect, and the whole thing raps up in two and a half minutes. Nobody here is breaking the mold, and the song is all the better for it. Harold is up first. He handles the chorus and the first verse, which contains some of the meanest bars. “Tuck your jewelry (Uh-huh) then take your life (Life),” he spits. “My young n**ga gun you down, you ain’t movin’ right (Right). I’m ridin’ through the town all day and night. Opps scared to come outside, runnin’ for their life (F*ck).” It’s sharp, to the point, and it sounds great with 21 Lil Harold’s delivery. The same can be said for Rob49’s guest appearance. Rob manages to pack in a Lil Wayne reference and a ...

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Drake vs. Kendrick Lamar is over, for all intents and purposes. The disses stopped coming out. The subs have been limited. And Drake has decided to take legal action as a result of “Not Like Us” achieving huge success. The story has been written, and yet, the debate wears on. People have continued argue that the 6 God actually won the battle, or outbarred Kendrick Lamar. Others, like Glasses Malone , felt Drake could never win the battle by virtue of what he represents. He expressed this opinion during a recent spot on a DJ Akademiks stream. DJ Akademiks has consistently been on Drake’s side. Glasses Malone, has consistently not been. He told Ak that rapping ability never really mattered in the battle. He felt Drake was destined to lose because he does not represent “culture” as he sees it. “It’s not ‘cuse he’s from Toronto,” Malone said. “It’s cuse he’s a Jewish man from the suburbs.” DJ Akademiks tried his best to refute this stance, but Glasses Malone dug in his heels. “He’s just...